#and the book and several adaptations of it too
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inthewaytoamultilinguallife ¡ 10 months ago
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hello, ive been learning portuguese for a bit and i was wondering if you had any recommendations for media? like youtubers, blogs, movies or series. if you do, thanks in advance
uff fuck, i will sure try my best but i can’t promise anything
I normally get my dose of Portuguese via going to academic workshops or working alongside Brazilian people, so I don’t exactly engage with media in Portuguese as a conscious learning process, I'm afraid. Like, for example, i normally just get a bunch of Instagram reels and TikToks cause I'm on the Brazilian side of instagram/tiktok, and not exactly because i follow any particular account or something, and i don’t level or recognize how hard the Portuguese is in each one, etc 
I have some series that i remember watching and liking tho, which are:
De volta aos 15: a drama/comedy series around a 30yo woman that time travels a few times to when she was 15 and tries to fix everyone's life, as one does
A sogra que te pariu: a very absurd sitcom in the best latinoamerican style (and set during covid)
Samantha!: Another comedy, now about a kid star from the '80s who is trying to launch herself back
Lulli: comedy, drama and romance. A medic student gets electrocuted and starts hearing everyone's thoughts
3%: suspense, fiction, drama. Set on a diasporic word where, while everyone gets a one-time change to better their life, only the 3% makes it
Ciudad invisible: Drama, mystery. This one has lots of references to folk culture and stories! It's about a man who, after a family tragedy, starts seeing different mythological creatures that will help him uncover the past
omnisciente: sci-fi, drama, thriller. The city is controlled and watched all the time everywhere by drones. A woman tries to solve a murder that the drones never picked on + plus discover how fucked up the system and the drones are
Coisa mais linda: Drama, romance, set in 1959, after getting cheated on and left alone, a woman sets herself to open her own bossa nova club
ninguem tĂĄ olheando: comedy, drama, fantasy after discovering some secrets of the bureaucratic angelic system, a guardian angel set himself to break every rule that there is for protecting humans
Valentina: drama a young trans girl moves to a more conservative rural town 
Alice júnior: Coming of age film about a YouTuber trans girl as she challenges her catholic school's conservative ways 
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septembersghost ¡ 2 years ago
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the silence that only comes when two people understand each other
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runfreelyactwildly ¡ 6 months ago
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I am a Fan of Media!(It is heaven and hell at the same time.) The greatest superpower would be able to consume every piece of content related to my interests in one sitting, and remember all of it for the rest of my life.
#fear of forgetting#cursed to not be able to watch every single movie binge every single show and read every single book in the world#hey! i want content of this particular show; i want a lot because it makes me happy but no—a lot means more for me to watch#and i can’t deal with the fact that i’ll never see every single thing related to this show because there is way too much for me to consume!#i just want to consume every single piece of content that is related to all of my interests#What Do You Mean I’ll Probably Never Get To See Every Single Adaptation There Is Of This Story (life happens and I can’t get around it)#I’ll Never Read Every Fic#I’ll Never Watch Every Animatic#I’ll Never Watch Every Edit#I’ll Never Own Every Single Piece Of Merchandise Related To This Particular Media#I’ll Never Get To See Every Piece Of Official And Fanmade Art#I’ll Never Listen To Every Song#I’ll Never Talk To Every Person Who Has Even A Little Bit Of Interest In This Particular Piece Of Media#I’ll forget this story and all its details inevitably in the future#does anyone else deal—…..struggle with this#Why why Why Why😭😭😭😭#I Just Wanna Catch Up#Lowkey A Super Severe Case Of FOMO#FOMO#I’ll never get to finish everything on my watchlist i fear#My notes and reminders apps are filled with Things To See. Things to Watch. Things To Read. Things to Buy. Things. To. Do.#A perfect world to me is one where all my to see/watch/read/buy/do lists are CLEARED#YAY! CONTENT!#yay.. content…#(more for me to catch up on) (when will i ever get the time)#so. many. tags. this is how big this problem is to me
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tossawary ¡ 1 year ago
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Rewatched the Howl's Moving Castle movie (fantastic animated movie, definitely inspired by more than an adaptation of the book) while doing something else and I was struck this time by the fact that the Prince (Turniphead the Scarecrow) says that he intends to go tell his king to call off the war, but THEN he intends on COMING BACK to Ingary to shoot his shot with Sophie again because (as he says to the flirtatious Witch of the Wastes) "hearts change".
And maybe he will come back to make Sophie an offer of marriage and then leave again when he's turned down, but I imagined for a moment that the Prince (who is possibly the movie's version of Prince Justin, so let's call him Justin) might just... move back into Howl's house without asking and stay there. There are several cases of precedent for this. Also, as Turniphead, he's shown several times helping Sophie with laundry, or playing with Markl, or helping the Witch of the Wastes move around, and Sophie deserves that kind of help around the house! Howl isn't going to reliably do chores.
And you know what? I think Howl would be into that shit. There's something very Wynne-Jonesian about it all still. It's tempting to write a post-canon fic about this situation from the movie with an extra dash of flavoring from the books. Like:
This is the infamous wizard Howl Pendragon/Jenkins, a vain draft-dodging flirt who likes to build moving castles to evade taxes too. The beautifully angry young woman with the silver hair over there is his wife, Sophie Hatter, who may or may not be an extremely powerful witch, but right now she's dusting and do not get in her way. This is Calcifer, the fire demon who used to have Howl's heart and is arguably his other life partner and also might be in love with Sophie, and this is arguably kind of actually his house. The old lady smoking a cigar over there is Howl's ex-girlfriend and former nemesis, the Witch of the Wastes, who now lives in their house. This is Markl, Howl's apprentice, kind of his kid, and there is no explanation of where he comes from or what happened to his parents. The dog used to be(?) the Royal Wizard's spy (Howl used to be her apprentice and potential successor) but now he also just lives here. And that's Prince Justin of Strangia, Sophie's house-boyfriend. Don't listen to the propaganda, he wasn't kidnapped by a heart-eating wizard; he used to be a cursed scarecrow and now he wants to be here to help Sophie do laundry. He's trying to homewreck and Howl thinks it's both funny and hot.
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kraniumet ¡ 2 years ago
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hello taschen 2004 manga design book. you've put a graphic page from okamas hanafuda as an example of ryoichi ikegamis artwork. please rectify this
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drabbles-mc ¡ 6 months ago
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Different Now
Bucky Barnes x ExWife!Reader
Warnings: 18+, smut, angst
For Week 5 of @buckybarnesevents Hot Bucky Summer 2024: exes
Word Count: 6k
A/N: something about Bucky and an ex-wife really got me Thinking Thoughts. hope y'all enjoy!!! xo
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The apartment wasn’t something that you had asked for when it was all said and done. Really, you hadn’t asked for anything. The only things that you wanted weren’t things that could be divvied up by overpriced divorce lawyers.
When you had tried to tell Bucky that you weren’t interested in keeping the apartment, he wasn’t having it. You tried to argue that it had been his to begin with, that you were the one that moved in with him. It only made sense for you to be the one to move right back out again. But he was adamant—he always was. His argument then had been that he had another place to stay in the meantime until he found something else. It felt like half of his life was at the tower anyway, so it wouldn’t be a problem to treat it like a long-term stay at a hotel until he found a new apartment.
You were so sick of arguing by then that you just gave in. If he didn’t want to have it, it wasn’t the hill you were preparing to die on. You slapped your signature and initials where the lawyers told you to and just like that, the apartment was yours and Bucky wasn’t.
He did you the courtesy of letting you know when he would be stopping by to move all of his things out. When the day came, he knew that it was no stroke of luck that you happened to be out of town for a few days. The realization stung but he supposed that he couldn’t really blame you for it either.
The first few weeks after he’d moved all of his things out, the apartment felt almost painfully empty. There was a sliver of time during which you were thinking about moving out anyway, Bucky’s final parting gift be damned. It didn’t feel quite like home without him, without Alpine and all of the chaos and mess that came with the two of them.
Eventually you started to fill in the gaps that he’d left behind. New books for the shelves to fill the space where his used to be. Art and trinkets to fill in the empty spaces where his small pockets of clutter used to reside. It was the largest the apartment had ever felt and it was strange to have no one to share it with. Slowly, though, you started to adapt. It slowly started to feel like home.
Redecorating the apartment was one thing. Adjusting to your daily routine without Bucky being part of it was another. It wasn’t as though either of you had been blindsided by the divorce—it’d been coming for some time. Still, even as the distance had grown between you, there were still those tendrils of connection that hadn’t been severed yet. Attachments that only form after years spent with someone day in and day out through all of the things that the two of you had gone through together.
There were times when you were lounging on the couch in the living room and for a moment you’d find yourself wondering when he was going to come home only to realize that he wasn’t going to. Or you’d be heading home after work and you’d almost go to find his name in your phone to call and see if he needed you to pick anything up on your way. Habits you hadn’t even realized formed until you no longer needed them.
Weeks turned into months. New habits formed to replace the old ones that no longer suited you and your life. If you didn’t think too hard about it, you didn’t feel the dull ache that still existed down in your chest. You stayed busy with work, with friends. The times when you thought about reaching out to Bucky, you made every effort to reach out to just about anyone else instead. The last time you’d had any sort of conversation with him was when he moved his things out. And even then, it had been a simple text exchange. Him saying, “All set. Let me know if I missed anything.” Followed by your brief response of, “Will do”. Something short that made you glad he couldn’t see the tears that were welled up in your eyes.
Not reaching out to him was difficult. It was hard not to sit and wonder if he was having just as hard of a time with it as you were, but it wasn’t like you could reach out and ask him about it. The closest you got to any kind of communication with Bucky was the rare text from Steve. He never asked about Bucky or anything having to do with the two of you. He kept it cordial, the way that you’d expect from any acquaintance, you supposed. Because that’s what he was to you now. You got the apartment in the divorce. Bucky got all of his friends. Painful but fair.
You were halfway to falling asleep on the couch when your phone buzzed on top of the coffee table. The groan of annoyance you let out was involuntary, arm still slung across your forehead as you contemplated whether or not you wanted to see what anyone had to say. It wasn’t terribly late—not what you considered emergency late, anyway. But it was still getting close to past the time most people would be reaching out to chat.
Your arm that wasn’t covering your face reached out from underneath your throw blanket. Blindly groping around, your fingertips finally grazed over your phone. You were forcing your eyes to open back up all the way as you carefully held the phone over your face. There had been enough instances of you dropping it directly onto your nose and forehead to dissuade you, but it never stuck.
Skimming the notifications on your screen, at first you thought that your eyes were playing tricks on you. Maybe you were just exhausted. Or maybe you were stuck in a very realistic if not boring dream. Or nightmare, depending on how you wanted to look at it. There just didn’t seem to be any other reasons that there would be a text message from Bucky waiting to be opened.
It got you to sit upright, at least. The blanket fell from where it’d been pulled up to your shoulders, piling in your lap as you leaned back against the arm of the sofa. There was no universe in which you would leave the message unopened, or delete it without reading it. Even though you knew that about yourself, though, you still sat there for a few seconds and entertained the thought of it.
You typed in the passcode to your phone with the second nature ease you always did, the only difference now was that your heart was in your throat as you waited to see what the message was going to be. It’d been months, and it was late, and you had no idea what you should be expecting from him.
“Feel free to say no but I need a favor” Your heart dropped to your stomach and then another message came through. “Not an emergency”
His messages didn’t leave you feeling like you had anything in the way of answers. If anything, now you just had more questions. “You okay?” Part of you knew that if things had really been bad, he would’ve called. Or he wouldn’t have reached out at all. One of the two.
“Need a place to stay” You couldn’t help the deep sigh that you let out as you read his message. Then, as if he heard you, he sent a follow-up message. “Just one night. Promise”
If you said no, he’d drop the topic. You knew that about him beyond a shadow of a doubt. He’d let it go and realistically it would probably be the last time you heard from him. But you also knew that he wouldn’t be reaching out and asking you if he had somewhere else he felt like he could go. He had people he could lean on, places he could be. If he was reaching out to you there must’ve been something going on. It wasn’t your business to ask about anymore, though.
“Still have the address?” It was a lame pass at a joke, but you hoped it would at least convey that he could come over.
“Yeah, think I might have it somewhere. Thank you”
You didn’t reply, didn’t really feel like there was anything else that needed to be said. instead, you looked around your apartment and wondered if there was something that you were supposed to be doing. It felt strange, the idea of him being back in the apartment again. It was his first, sure. And then you shared it. But now it was yours and he was going to be a guest. However long it would take him to get there, you were sure it wasn’t enough time to unpack all of those feelings.
Bucky gripped onto the strap of the backpack he was wearing as he stood outside the door of your apartment. The halls leading to your apartment had been empty, which he should’ve expected with how late it was. He stared at the door, the same dark, mock-wood paneling staring him in the face that had each night for so many years. It felt familiar and strange to be standing in front of it again.
He adjusted his grip on his backpack, a brief distraction so he didn’t have to contemplate knocking or taking out his keys. It was later now than it had been when he first reached out. The amount of time that had passed had nothing to do with how long it took him to get from the tower to your apartment—that hadn’t taken very long at all. What made him so late was the amount of time he’d spent sitting in his car debating whether or not he was actually going to do this. The engine had been off, everything silent, and he just sat there staring at the symbol in the middle of his steering wheel as he weighed out every possible scenario, all of the pros and cons that he could think of.
But now he was here and he almost turned around and walked away again anyway. Before he could completely chicken out, he fished his keys back out of his pocket. It took him longer than he wanted to admit to realize that he still had the apartment key—it was just such a fixture on his keyring by that point. But he didn’t have it in him to bring it back. It wasn’t like he ever used it, or even thought about using it. There was something about it that he just couldn’t throw away.
He had about three seconds of thinking this was the one singular time that his sentimental streak was going to come in handy. But then when he tried to slip the key into the lock, he found that he couldn’t. He double-checked to make sure that he’d gone to the right apartment on the right floor, although he couldn’t imagine messing that up.
Then it hit him. Whether you had asked the landlord to swap out the locks after he left or if the man had done it on his own because he didn’t trust any split to be as cordial as any couple tried to make it out to be, Bucky no longer could let himself in. Pulling in a deep breath, he shoved his keys back into his pocket and reached to knock on the door.
The speed at which you leapt off the couch at the sound to get to the door would’ve been embarrassing if he had been able to see it. Luckily your shame was just for you. Stopping in front of the door, you took a couple breaths as you smoothed out the oversized t-shirt and pajama shorts that you were wearing. Maybe you should’ve thought to change but it was too late now. Besides, it wasn’t anything that Bucky hadn’t seen a million times before.
You undid all the locks. When you had first gone over to Bucky’s apartment you’d thought that he was a little paranoid. You didn’t blame him for it, but it still crossed your mind. After he’d moved out, though, you found that you had no interest in getting rid of the deadbolt or slider-chain that he’d had put onto the door.
His face was all exhaustion and worry until he found himself looking at you. Then the worry lines on his forehead eased a little, his frown didn’t stretch quite so deep. Even so, you could still see the stress on his face and in the way that he was holding himself. You were sure that the current circumstances didn’t help, but whatever had happened that resulted in him reaching out to you was just as much of a culprit.
“Hi,” he finally said when he realized that it’d just been the two of you silently staring at each other.
The sound of his voice was enough to get you to smile despite the knot in your stomach. “Hey.”
He shifted his weight from one foot to the other, adjusting his backpack as he did. “Thank you for this. I know I shouldn’t have asked…”
You shook your head as you opened the door and gestured for him to come in. “It’s fine.” Once he was inside you turned around and redid all the locks. You ignored the endearing expression on his face when you faced him again for the sake of your own sanity. “Everything alright?”
He started off nodding but then it dissolved into a shrug as his chin tucked down towards his chest. “Didn’t want to stay at the tower. Everyone’s been at each other’s throats lately so when we got back this afternoon I just…I didn’t want to stay there.”
“Your place far away now?” you asked as you took his backpack from him and set it by the couch. You started to walk towards the kitchen, hoping he would take the hint and follow suit.
“What?” he asked, toeing off his boots before he started to trail behind you.
“Your apartment. Or house. Is it far?” You were still trying to figure out why he had decided to come here of all places.
“Um,” he stumbled on his words as he stayed by the stretch of counter kitty-corner to where you stood at the coffee pot, “n-no. Not…really.” He kicked himself immediately. He was never able to lie very well to you at all, let alone so quickly on his feet. It said plenty about him, about how he felt about you, but there was no time to get into all of that.
You looked over at him, eyebrows raised in curiosity. “Want a cup of coffee to hold onto while you tell me about whatever that means?” You kept your tone light and joking enough, but you knew that years of experience with you meant that Bucky knew he wasn’t going to be able to get out of explaining himself.
He let out a small sigh of defeat as he nodded. “Please.”
Neither of you said anything as you made a cup of coffee for each of you. You could see him out of the corner of your eye. Any other circumstance would’ve made it seem strange that he was staring at you so blatantly, but there weren’t very many other things to hold his attention at the moment. Something told you he wasn’t really in the mood to try and count all the things you’d changed after he moved out.
You brought the coffee mugs over to the small table that was tucked off to the side in your kitchen. You sat down and waited for him to do the same, which he did after a moment of hesitation. He pulled his mug closer to him, cupping it between both his hands even though only one could really feel the warmth radiating off of it.
“So?” you asked before taking a sip from your cup.
He didn’t look at you, eyes fixed on the drink in front of him. “I’ve been staying at the tower.”
You nodded, leaning back in your chair. “Okay?”
He sighed, shaking his head. He still couldn’t make himself look up. “Since I m—” he tripped on the words, still not accustomed to saying them out loud, “Since I moved out.”
Your eyes widened. “Bucky.”
He had no other choice but to look at you now. “I know.”
Gesturing briefly to the apartment, you said, “I told you to just keep th—”
“I know you did,” he cut you off. “I wanted you to have it. Still do.”
“You can’t just stay at the tower forever. It’s basically, like, a glorified frathouse.”
You both had a laugh at that before Bucky’s face sobered up. “I wasn’t planning on staying there. Just,” he took a sip of his coffee, enjoying it more than anything he’d concocted at the tower in the last few months “didn’t get to it.”
“Tony mention starting to charge you rent, then?” you asked, a joking lilt to your tone to hide the ache in your chest.
Bucky huffed out a laugh, a slight upward curl to his lips, but you could tell that he was trying to stuff down some of the same feelings that you were. “I’m sure he will once he figures out how much hot water I use.”
You let a beat pass before saying, “If you need help finding a place, I can—”
“No, no.” There was a hint of frustration in his voice but it wasn’t really directed at you. “Finding a spot isn’t the issue. I can do that.”
“Then why the fuck have you been crashing at the tower this long?”
“I wasn’t ready to get my own place!” he snapped, not meaning to. The answer came out quickly and much more honestly than he intended. He’d wanted to some up with something snarky to evade the discussion, but it was too late and he was too tired. Sitting across the table from you always left him feeling so vulnerable. He tried to ignore the sad frown on your face, the tears welling in your eyes. “I wasn’t ready to start over. Getting my own place? I just…yeah, no.”
“Sorry,” the word came out meek and mumbled. You hadn’t meant to pry open that particular can of worms, especially not on a night that he was just looking for a place to unwind and rest. Maybe it would’ve done the two of you some good to have some form of contact over the last few months, but it was too late to go back and fix that now.
“You still like it here?” he asked.
You could hear the hopefulness in the question. There was only one right answer to the question. Bucky needed to know that the one thing that he could really leave you with was something that had done you some good, something you could still enjoy even if he wasn’t around to enjoy it with you anymore.
You nodded. “I like it. It’s…you know…it’s different now. But I like it.”
He tried not to sound too relieved. “Good.”
Minutes ticked by with nothing but silence between you. Everything that either of you wanted to say, you felt like you couldn’t. every time you glanced over at Bucky, he was already looking at you. His face never really gave away much, but you could still see the sadness in his eyes. You couldn’t help but to think that this wasn’t exactly what he thought he was singing on for when he reached out needing a place to crash for the night.
Like he could read your thoughts, he spoke up. “Figured I’d just take the couch.”
“You sure?” you asked, like you had any real backup plan to offer.
He nodded as he stood up out of his seat. He picked his mug up off the table, and then yours before walking them over to the sink. You watched him as he quickly rinsed them out before setting them down in the sink basin. “It’s fine. I’ll be gone before you’re up in the morning.”
You frowned at that without meaning to. “You don’t have to—”
“It’s fine. Like I said—I just needed a break.”
There was no use in trying to turn it into an argument, so you nodded. “Okay. I’ll grab you a blanket and a pillow.”
His shoulders relaxed. “Thank you.”
When you came back out to the living room, Bucky had already changed. He was in his usual sleepwear—an told tank top and loose shorts. When the two of you were together, he’d always just foregone the shirt half of the equation, but you assumed that he was trying his best to be courteous.
You offered him the folded-up blanket and the pillow resting on top of it with a weak smile. “Here you go.”
His smile wasn’t much more convincing than yours, but at least you were trying together. “Thanks.”
“No problem.” You raked your fingers back over your scalp as you tried to figure out if there was something else you should be saying or doing. “If you need anything else, let me know. Or, you know,” the nervous laugh you let out let him know you were no more certain about this joke than he was going to be, “help yourself. Whatever it is, is probably right where you left it.”
Surprisingly enough you both chuckled quietly. “Thank you.”
There was nothing more to say or do but it still felt wrong to turn and head off to your room. Your standing there wasn’t doing either of you any good, so you crossed your arms over your chest. “Okay. Goodnight, then.”
He nodded as he tossed the pillow onto the couch and started to unfold the blanket you’d given him. “Night.”
You took a small step backwards. “If I don’t see you in the morning, good luck. With…you know, everything.”
He gave a small smile as he draped the blanket onto the couch cushions. “Thanks, doll.”
The sharp silence that followed those two words permeated the entire room. Bucky froze, unable to look over at you. You froze, unable to look anywhere but at him. The tension in his muscles came back tenfold as he tried to figure out how to walk himself out of the minefield he’d just stepped into. He took a deep breath, looking up at the ceiling for a moment before over at you.
“Sorry,” he said, although he wasn’t sure how much he meant it. “Force of habit. It’s been a while.”
You wished that you’d felt nothing when he said it, but there was still the flutter in your stomach at the sweetness, the familiarity of the pet name that he hadn’t been around to call you in far too long.
“It’s okay,” you reassured him. You pulled your arms a little tighter around yourself, like that would stop you from reaching out and doing something stupid that you’d be kicking yourself for later. “I get it.”
He could see the tension in your body, could practically feel the waves of it rolling off you. “You sure it’s alright that I’m here?”
You laughed, the sound tired but still a little amused at the question. Your arms dropped back to your sides. “Yes. God. Please, it’s fine. Don’t, don’t worry about it. I’d be more upset knowing you were going back to the tower.”
He laughed, muscles in his shoulders loosening. “Okay.”
You reached out, fingertips just barely grazing against his forearm. “Goodnight.”
The touch barely lasted for a second but he could’ve sworn that he felt the warmth from your fingertips spread throughout his whole body in that moment. You were already turned away from him and making your way to the bedroom. Off to be alone in a place the two of you spent so many nights sharing.
His body was moving faster than his brain as he stepped to go after you. He knew as he was doing it that it was a terrible idea from every angle but he couldn’t stop himself. You’d heard his footsteps, and you were turning around to see what he was that he needed. Your pause caused him to have to stop short, hardly a hair’s breadth between you. You were holding your breath in anticipation, waiting for whatever was coming next, Bucky’s eyes desperately searching yours.
He brought his hand up to your cheek, his palm rough but warm against your face. You sunk into his touch the same way one sinks into their bed at home after a long trip away. Your eyes fluttered shut but it didn’t stop the tears from welling and escaping onto your cheeks.
“Bucky…” even at a whisper your voice cracked with emotion as you said his name.
He waited for you to open your eyes, to look at him again. Your eyes were glassy, the tears that weren’t staining your cheeks clinging to your lashes. But you were beautiful. In that moment he couldn’t understand how or when it had all turned into such a mess. It seemed impossible that it had all fallen apart.
He was waiting for you to pull away as he leaned in, but you didn’t. You didn’t backpedal, didn’t try to push him away from you, didn’t ask him to stop or say it was a bad idea, even though he should’ve and it was. His lips caught yours for the first time in…he didn’t want to think about how long. When you kissed him back it felt like it erased all the months of distance and silence between you. Your hands rested on his chest and suddenly the mess disappeared.
Even when you came back up for air, your lips were still practically touching. Your nose brushed against his as you shook your head. “Bucky.”
He shut his eyes tight for a moment, knowing where this was going. “Don’t.”
A knot formed in the back of your throat. “But—”
“Please.” He brought his other hand up so that they were both cupping your face. It’d been a long time since the chill of the metal made you flinch. It still felt familiar, welcoming despite the circumstances. “Please.”
Another half-hearted protest was on the tip of your tongue but he kissed you again before you could get it out. It made your knees weak, the amount of desire that he was able to pack into one gesture, a gesture that didn’t last nearly long enough.
“I know,” he said with a tiny nod. He pressed a kiss to the corner of your mouth. “But I’m askin’ anyway.”
You knew that you were going to give in from the start, but at least now you could lie to yourself if you had to—you could tell yourself that you at least tried to put up a little bit of a fight. Satisfied with that, you nodded as you leaned in and kissed him.
Relief coursed through him as he wrapped his arms around you. With no hesitation he turned and started to walk you back towards the couch, not taking his lips off yours as he did. His hands slipped up underneath the fabric of your shirt dragging and mapping out your skin like he was trying to feel for anything that had changed since he last had you like this. Your hands slid up his chest and neck, briefly running over the stubble that was coming in along his jaw, before they wound themselves into his hair. He leaned into you, deepening your kiss further at the sensation of your nails carding through his hair and raking along the top of his head.
He pulled out of the kiss, only doing so long enough to get your shirt off, and to allow you to do the same to him. They landed haphazardly on the floor between the couch and the coffee table. They no sooner hit the floor and Bucky had you lying flat on your back on the couch. Not even a second passed before he was on top of you, settled over you and in between your legs like he was always meant to be there. He kissed you with conviction as his hands ran over your stomach and chest. You moaned into his mouth at the sensation, missing the way that it felt when he touched you like this.
You felt the smooth metal of his Vibranium hand cupping the side of your face while his other hand trailed teasingly down your stomach towards the waistband of your shorts. You felt the whine building in the base of your throat before he even reached your core. The way you felt him smile into your kiss let you know that he knew it, too. You missed him too much and wanted him too badly to care about that.
The second you felt his fingers give a teasing graze over your center, you were bucking into his touch. You felt the shaky breath he took in, like there was still some part of him that was trying to exercise some self-control. It was too late for that now as far as you were concerned. He dragged his fingers along your folds, feeling how wet you already were for him. The thought of you still wanting him so badly had him pulling his lips off of yours so that he could litter your neck and chest in love-bites and marks that would be there long after this was over.
You arched into his touch, the feeling of his teeth along your skin. His hand that had been cupping your face now had a firm grip on your jaw, keeping your chin angled in a way that gave him the most access to the sensitive skin of your neck. You didn’t fight it, helpless to do anything but whine and pant, hands tugging at his hair so that you could feel the vibrations of his moans along the column of your throat.
If things had been different, you could’ve spent hours doing just this—just the touching and teasing. The game and the chase of it all. But the invisible clock that hung over the two of you was ticking, and reality was going to set back in sooner than you wanted. You wanted him one more time in earnest before you lost him again.
“Bucky,” you whimpered.
Then he was over you, looking down into your eyes. His expression was half-arousal, half-worry, like he thought this was going to be the moment when the other shoe dropped, when you decided that this was too bad of an idea to continue.
You pulled lightly down on his bottom lip with the pad of your thumb. “I wanna feel you inside me.”
Your words, the desperation in your voice, it nearly rendered Bucky a puddle on the floor. He couldn’t conjure up a single word to say, but he didn’t have to. Instead, he quickly pulled your shorts down your legs and tossed them off to the side. He felt the way you were pushing down on the waistband of his and the breathy laugh he let out only lasted for a moment before he realized you got them halfway down his thighs. You were too needy to wait any longer, wrapping your legs around his waist and pulling him into you.
Bucky lined himself up at your entrance, sliding in as you wound your legs tighter around him. Your lips crashed against his in a bruising kiss as you reveled in the sensation of him pushing into you. Your moaned and gasped into his mouth at the return of the familiar sensation, your nails clawing at his back because you had to get it out of you somehow.
He left a trail of kisses along your jaw up to your ear. His voice was low as he egged you on, coaxing more out of you as he started to thrust into you. He missed this, the way you felt, the way you sounded. He missed your moans and the way you said his name, the way you asked for more, harder, don’t stop, like he was a man who would ever tell you no. He missed telling you how good you feel, like you were made for him. He missed telling you how pretty you look when he’s fucking you.
He missed everything else, too, but for now this was what he could have. And he wasn’t going to waste the opportunity.
Your legs were trembling around his waist and he knew that you were close. He wasn’t far behind you. He didn’t stand a chance from the start. Then your teeth sunk into the skin where his neck met his shoulder and the last of his resolve went out the window. His thrusts became harder, faster. His face was buried in the crook of your neck when you came, and he etched the way you cried out his name into his memory.
Even in your blissful daze, you could still feel that he was getting close. You felt the way his hips began to tense and stutter. You could also feel the way that has was trying to pull out. You were a pliant mess beneath him but you still had enough strength in you to grip onto his hips and pull him towards you.
He shook his head. “I—”
“Please,” you begged, words slurred with lust, “Jus’ wanna feel you again.”
The neediness in your tone and the pout of your lips did him in. He spilled into you, continuing to thrust until after he was spent. He collapsed on top of you, still buried inside you as he rested his head on your chest. Your heart was thumping at a rabbit’s pace against his cheek, and all he had it in him to do was close his eyes and soak it in.
Neither of you said anything as you tried to catch your breath. Bucky slid his arms underneath you, hands on your back as he kept himself pulled tight to you. You had one hand flat on Bucky’s back between his shoulder blades, the other toying idly with the messy locks of hair that you could reach.
This would usually be the time when one of you started the, “You okay?” conversation, but it felt like there was too much to unpack for that question now. Instead, Bucky tilted his head and looked up at you, giving a slight raise to his eyebrows. You got the hint giving a tiny nod to let him know that, given the circumstances of it all, right now you were fine if he was fine.
He relaxed then, letting his head drop back to your chest again. You settled back into the pillow that you’d originally brought out for him to use. Eventually, when you caught your breath, you’d head back to your own bedroom. But for now, there was comfort in the cramped quarters of the couch.
When you woke up the next morning, it was to the light coming through your living room windows. You let out a tiny groan, wiping at your eyes as you tried to register your surroundings. You were on the couch, blanket draped over you. Alone. And that’s when the night before rushed back over you all at once.
Sitting up, you looked around the apartment. Your clothes were folded and left neatly on the coffee table, but Bucky’s were nowhere to be found. Glancing over to the kitchen, you saw the two coffee mugs from the night before washed and left to dry in the drainboard. Then you looked down at the floor beside you and noticed that Bucky’s backpack was gone. Just like him.
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(divider by @silkholland 💞)
MCU Taglist (please let me know if you want to be added to any of my taglists!): @garbinge @artemiseamoon @late-to-the-party-81 @beardburnsupersoldiers @blackhawkfanatic
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vor-leser ¡ 6 months ago
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Benny now an animal, I knew AM would let him play.
(Stuff about my own version of pre-monkeyification Benny below the cut because i have too many thoughts on this)
It's kind of hard to make heads or tails of any of the ihnmaims characters since the cannons of the different adaptations contradict each other so much, so I reconciled my own version of events in my head as to what I think Benny was like pre monkeyfication. I tried to fit everything from the comic, game and book in though.
Benny was a very masculine guy, excelling in every sport, and despising everyone who did not live up to his standard of what it meant to be a strong man. All his life, he tried to embody this ideal, not only marrying and having two kids, but going on to join the military. When he became general, he was known amongst the soldiers as an authoritarian punitive leader, often abusing those below him to whip the weak ones into shape. His ideals were solidified under the pressure of the continuing third world war, instilling a kill or be killed mentality into him. Eventually, he came to the realization that he was gay. However, because this reality threatened to break apart the way he viewed the world and his masculinity. With the mounting pressures from a chain of losses and his own internal struggles, he reacted by overcompensating and becoming more brutal than ever, leading him to kill multiple of his own men. Returning from the Chinese American War, he developed a severe case of PTSD. Constantly making him feel as if his life was at stake, he found himself unable to show any weakness. He hid his own war crimes thoroughly, all the while continuing to receive accolades from his superiors for his tenure. He constantly felt the need to not only hide his crimes, but also his sexuality, making him paranoid that people would realize he was a fraud. This did not only put a strain on him, but also on his family.
AM specifically chose Benny, because he embodied the many ways in which humanity tore itself apart through war, constantly finding new methods to make their own existence miserable for an imagined ideal.
At first, Bennys presence among the survivors proved very useful. Out of all of them, he had the most experience in dangerous situations and a lot of physical strength. His wisdom and leadership helped them a great deal, eventually though, they would inevitably disappoint him. Falling into his old patterns of behavior, he would berate Nimdok the most for his obvious weakness, saying he was holding them back. With time, he did the same with Ellen, Ted and even Gorrister, which formed a rift between himself and all of them. He felt as if he could rely on no one but himself.
Still, his usefulness irked AM. He had gotten one over on him too many times, but this would make his coming defeat even more crushing. It started with his mental state. Paranoia had already slowly crept up on Benny, but when he was forced to relive his trauma, it spiraled out of control. Being starved, beaten and defeated, he started to lose his humanity. His egoism, distrust and brutality, all born out a desire for survival made him a nightmare for the others. AM found it amusing, how he had turned Benny into a parody of humanity and its worst aspects, seeing it fit to strip him of his last remaining bits of humaneness, breaking his body into the shape of an ape-thing.
His spirits were now completely broken, being reduced to a bumbling fool. Even though his shame mellowed him out, there were still occasional outbursts. Now ironically enough, he had become the survivors greatest liability. Luckily for him, the others pity him and keep him around, a kindness he likely wouldn't have awarded them.
(Also drawing a guy thats canonically supposed to look handsome while making him resemble a monkey is hard :,) )
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prokopetz ¡ 1 year ago
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If I have one criticism of the film adaptation of Nimona, it's that I completely understand the point Nate Stevenson was making in his remarks about not wanting to make Ballister too proactive in order to discourage the audience from focusing on him and sidelining Nimona in her own movie, but a. the film overcorrects so severely and makes Ballister such a wet noodle compared to his comic book counterpart that it ends up weakening Nimona's own character arc by depriving her of an effective foil to bounce off of, and b. like half the Nimona (2023) fics on AO3 are Ballister/Goldenloin shipping pieces in which Nimona herself does not appear, so it didn't even work.
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shijiujun ¡ 11 months ago
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A Summary: The Spirealm | 致命游戏 (Kaleidoscope of Death 死亡万花筒 Live Action) & Why You Should (Eventually) Watch It
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Talk about the most short-lived drama release ever, not even totalling two hours if I recall. Creating this summary as I've seen a handful of confused friends, so here it goes!
It's going to be a long review because I sped through all 78 episodes and only properly watched the first two doors, but I got you. You'll get both the brief book rundown and the drama parts!
If you just wanna see the bromance (LOVE) parts please skip to section 4!!!!
1. Overview
Title: The Spirealm (kinda awful I'm sorry it's a mouthful) or 致命游戏 which means fatal game
Adapted From: Danmei (BL) Kaleidoscope of Death by Xi Zixu
Novel Prints: There are GORGEOUS Thai, Vietnamese, Simplified and Traditional Chinese versions printed, AND Singapore publisher Rosmei has signed the license for the ENGLISH version, probably going on sale this year (preview is here). You can still access fan translations by Taida on I think wordpress and someone else on Tumblr sorry bad memory (they did half and half each) if you'd like to read it for context. It is one of my FAVE danmeis EVER and I am a die-hard OG book fan, check out my full danmei review here.
Total Episodes: 78 (20 minutes each with the exception of last episode which 10 minutes, with several BTS not that I think we will get to see all of them yet)
Where to Watch (LOL): Erm considering that iQIYI China AND International took the episodes down, there is no legal way to watch this, BUT thanks to some cnetz with super fast and great wifi, we managed to get ripped HD versions without subs. iQIYI is very hard on copyright though, they've taken down several subbed and unsubbed versions already on YouTube, but you should type the titles of show into Twitter and the top tags will tell you where to access the raws and very little subbed episodes, that may also be taken down at any point. I have the Chinese raws but as it's hosted on a cloud, I had to pay to access it.
Main Characters: Lin Qiushi & Ruan Nanzhu/Ruan Baijie (in the novel) and Ling Jiushi & Ruan Nanzhu/Ruan Baijie (in the drama)
Produced By: iQIYI so for SURE they won't film it fully BL even if the original is, but I've seen enough bromance cuts
Main Actors: Xia Zhiguang (Ruan Nanzhu/Ruan Baijie) + Huang Junjie (Ling Jiushi)
2. Summary
Book (drama follows closely if not removing the supernatural premises): Lin Qiushi, a designer, opens the door to his home one day from inside and sees 12 iron doors outside. Confused, he opens one of them and arrives at a snow covered village in the mid of winter, and meets Ruan Baijie, who's a pretty, unusually tall and whiny/timid woman. They realise that they're in a horrifying door game, and they'll have to find a door and a key to get out, while battling a long-haired, human-eating deity. They, along with a few others, have to survive day after day until they get out, and on the first night, two people have died in gory ways. Ruan Baijie and Lin Qiushi partner each other, and despite seemingly timid and crying all the time, she saves Lin Qiushi a few times mysteriously, and Lin Qiushi finds himself trusting in Ruan Baijie.
They get through the door together and when they leave successfully, Lin Qiushi realizes that the people who died in the door will die in real life by some freak accident too - car accidents, forced suicides, a robbery gone wrong, a lift trapped in the air and going ablaze, and more. That night, Lin Qiushi wakes up to see a super handsome and tall Ruan Nanzhu at his bedside and this man feels familiar to him, but he can't put a finger on it. All he can think of when Ruan Nanzhu says his name is Ruan Baijie (ahem he would later find out who it is of course). Ruan Nanzhu takes him to his mansion in the suburbs where he meets a group of other people just like them, who're forced to go through the doors for survival. Ruan Nanzhu then invites him to join Obsidian, his organization.
Through various doors, Lin Qiushi grows and supports a super intelligent and powerful Ruan Nanzhu, falls in love with him, gets through many many scary doors with him and some of their other team members, makes friends, loses them to the cruelty of the doors as they ponder over what the door means, and what being alive/dying means.
And at the end of it, at the end of of it all, when they're all good and living their life, Lin Qiushi also finds out what Ruan Nanzhu's secret is, and the lengths to which Ruan Nanzhu went to, just to be with him.
Drama: Ling Jiushi is a VR game designer who gets pulled into a game, and he meets Ruan Baijie (in his male form) right off the bat (SO NOT CROSSDRESSING I AM SAD). All the parts are actually the same as the novel, albeit with the game setting and Ling Jiushi and Ruan Nanzhu's identity adjustments to suit the game premise. Most of the other doors and their lines are the same, just that the ending is a bit more confusing than it could be. There's a big bad as well and they actually show the opposing organizations when in the novel, these other organizations aside from Obsidian didn't even actually have a face or goal to them.
3. Characters
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^ Them in the book (based on manhua that never got to go live LOL) (RNZ/RBJ left, LQS right)
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^ Them in the show (LJS left, RNZ right)
Ruan Nanzhu/Ruan Baijie: MY HANDSOME CROSSDRESSING INTELLIGENT ALOOF BUT WHINY (WHEN IT COMES TO LIN QIUSHI) SASSY BOSS!!!! He's super mysterious and super thick-skinned too, and all he wants is Lin Qiushi's attention the moment he meets him. He's intrigued by Lin Qiushi's calm and his brains and the way he handles things, and has a lot of trust for him right from the get-go. This is also shown in the drama itself. As the leader of Obsidian, he cares a lot for his team members and his friends even if he doesn't show it most of the time, and the last thing he wants to do is lose Lin Qiushi, and he would do ANYTHING for Lin Qiushi, ANYTHING!!! Just look at him whining:
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Ling Jiushi (Lin Qiushi): In the novel he's super calm, has quite a lot of brains, a little bit of a blur in the beginning but he's super smart as well. Worries a lot for Ruan Nanzhu and is also a loyal friend to some of his only friends, and feels a lot when he loses them. Falls gradually in love with Ruan Nanzhu in the novel, like they just belong together. In this drama, Ling Jiushi holds that same trust for Ruan Nanzhu, but in demeanour he seems a bit more like a klutz and and not as cool as he was in the novel, but I guess it's acceptable. Literally like the only thing he loves more than RNZ (maybe) is his cat Chestnut LOL and RNZ is NOT really happy about that but Chestnut LOVES RNZ
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Yixie and Qianli: CUTEST TWINS ;-; WHO TREAT RNZ and LQS as their big brothers LOOK AT THEM BOWING AND RNZ/LJS like parents LMAO
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A handful of other characters who will keep turning up and get your hearts ;-;
4. ALL FAVE BROMANCE MOMENTS + TROPES
THEY TOUCH EACH OTHER A LOT LIKE HOLDING HANDS AND TOUCHING FACES, PIGGY BACKING?!?! DID I MENTION FACE TOUCHING
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WHUMP WHUMP WHUMP WHUMP THEY HELP EACH OTHER WHEN HURT OR GET HURT FOR EACH OTHER
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AND WHEN THEY WAKE UP IN BED THE OTHER IS AT THEIR BEDSIDE
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AND DID I MENTION HE FEEDS HIM IN MORE WAYS THAN ONE
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AND THAT THEY DATED UNDER THE FIREWORKS LIKE THE NOVEL DOES NOT EVEN HAVE THIS SHIT
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AND THE KABEDONS
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AND FINALLY RUAN NANZHU RIZZ OMG
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5. Settings
They REALLY OUTDID THEMSELVES. THIS JUST FROM DOORS 1-6:
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THEY LOOK EXACTLY LIKE THE NOVEL DESCRIBED!!!!
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6. Overall Thoughts
PROS: This was NOT a cheap production, I'm telling you, they followed the cases very well and there're a lot of super recognisable lines, if not ALL of them, even if they changed the cases a little. I think they did it because in the novel originally, the author DOES leave a lot of details hanging like someone dies and you know he had a background and there are some shady things happening but the author NEVER actually goes into detail. So the drama did their best to cover these loopholes, even if it felt a little awkward at times. Money went into settings and attires and every damn thing, this looks EXPENSIVE. And if you've ever imagined each door and the bosses inside in your head, you might have felt chills go down your spine because damn did they really colour the book's settings for me (despite its differences). DID I MENTION that Xia Zhiguang really got the damn memo and he was a passable Ruan Nanzhu/Ruan Baijie who knew how to turn on his BL eyes. PLUS they really did some of the character deaths really well - they're technically some of the biggest parts of this story so ;-; (not two main of course)
CONS (maybe): They did away with the supernatural/horror premise and replaced it with a GAME premise, which means that there's a scientific element to it and the try to explain away stuff with the game, including the ending. I don't 100% get the ending, but the feel/vibe is about the same. Might not be for hardcore reader fans tho! They skipped out on a couple of doors, some of which were my faves, but it's fine, it's long enough LOL. They give away/explain some of the clues and surprises super early which means you don't get that added boom at the back as well. Despite that, I have to say they tried to round up the loopholes from the book as much as they could and give it an explanation while tying elements/conspiracies across doors (probably also to save cast fees LOL). And as always it's not a solid ending, it's an open confusing one, and even more confusing than the book itself because THERE IS NO CERTAIN HAPPILY EVER AFTER WITH HUBBY for it (there is in the book tho, they live together happily every after). Secondl,y, I'd say HJJ's acting is a bit stiff and OOC compared to the novel, but Xia Zhiguang really made up for it.
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HOPE THIS HELPS YOU GUYS!!! But I guess if you need subs it's going to be a long LONGGGG ride, considering that iQIYI doesn't seem to be going to be able to put it up anytime soon CRIES.
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dreadfuldevotee ¡ 6 months ago
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I'd like to discuss the elephant in the room. Why did we get zero Loumand sex scenes? We got hints and implications, but season 1 was pretty explicit. Do we think that that's a creative choice or something else is happening?
I'm glad I ended up ruminating on this for about a week because episode 7 & 8 really solidified my opinion on it.
I do wanna start by saying that it's very clear to me that there was supposed to be more explicit scenes between them. There has been some thoughts tossed around that censorship happened with the 9 pm timeslot (as opposed to the 10 pm timeslot of S1). I believed this hearing Assad and Jacob talk about the BDSM dynamic between Louis and Armand, but what really sold me on this was Production Designer Mara LePere-Schloop talking about the bedroom set and more specifically about their beautifully carved custom headboard. (If you're a production nerd like me or just want to know more about the design philosophy of IWTV I recommend giving the entire thing a listen!).
I think there are several reasons I think as to why they decided to leave any more explicit scenes on the cutting room floor but above them all is: you cannot separate Armand's sexuality from his abuse. I am really against pulling a "well if you read the books" card but reading just the first couple chapters of "The Vampire Armand" makes me understand so much about not only Armand as a character, but the care being taken to his adaptation. It's clear to me that alongside Rolin & Co.'s commitment to not watering him down to a one-dimensional villain they are also trying to not fall into Anne Rice's tendency to romanticize his trauma.
Sex and sexuality is not the same pillar of Louis and Armand's relationship it was in Louis and Lestat's and so I don't believe their story suffers from the lack of on-screen sex. But I also firmly believe that maybe we don't need to be slutting out the character who we literally just watched talk about how he doesn't remember his life before being sex trafficked. And even when he was "freed" he was still being repeatedly assaulted at the hands of, and under the eye Marius de Romanus. Like it is extremely important to remember that Armand's craving for dominion in his relationships is a manifestation of trauma that deserves the same level of care and depth given to every other trauma portrayed in this show.
I think people have gotten too comfortable calling IWTV a romance when it has always been Gothic Horror. Romance and sex are pivotal to the story but I have found the demands for sex scenes this season a bit absurd and also? unfounded? Loustat share more kisses on screen but there are two sex scenes and both are very plot relevant. I truly figured we were all in agreement that the eroticism of this show is found in the various displays of power, and the dynamics it creates and not the actual clapping of ass-cheeks...which also wasn't happening in S1 either. S2 does not suffer because of the lack of sex-scenes, but the likelihood if it suffering trying to make one work is
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melodyartist-blog ¡ 16 days ago
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I started reading House of Odysseus by Claire North again, which I had dropped a long time ago, since the characters where really annoying and the way it was written bothered me too much, maybe it's the adaptation's fault idk, but you really have to turn off your brain to make it even minimally enjoyable... that's not even true !Because they still find a way to make me hate everyone, there is a big ass problem if I find Antinous less annoying than Helen and she is one of the "protagonists"
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I gave it the benefit of the doubt several times but it's really not my cup of tea 😭(I'm halfway through it though...). But I must say that since I'm very biased I wanted to try and draw Menelaus from the book, based on the awful descriptions, that are not even coherent since in the first chapter he is described in such a way that he looks like a Minecraft character with big ass hands and in 10 chapters later he is described having a thin neck, so I took on some creative liberties
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We are not gonna talk about the blacksmith comment... And the whole paragraph beneath that is all about his hands and piercing gaze
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What can I say... there are parts where I like him for how he is portrayed but it's like 10% of the time. He's loud, arrogant, mean, hot headed and he is trying too hard to get Penelope's favour, a red flag who walks on legs that are thick as logs...sigh I guessed that's fine...
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But there are scenes that he is in that have a nice comedic effect especially when he is serious... I think that those are not meant to be funny so that's an other issue
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elysiansparadise ¡ 11 months ago
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hello! I hope things are well with you 💕 if it’s possible, I would love to hear your thoughts on Neptune in the 3rd house :)
Hello love! I have been slightly busy these days, but everything is fine. I would love to give you my takes on this placement. 💕
Neptune in the 3rd house
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Talking to them is a unique thing, they have very deep perspectives on life, wonderful ideas capable of surprising many and the ability to see beyond the things, people and circumstances that occur around them. Naturally poetic, they dislike things that are too simple and for them a soul-touching pinch is necessary in everything that enters their minds [books, movies, music, videos, etc]. Their words can easily move the audience, there is an ethereal and touching beauty in their way of speaking. Captivating speakers even without intending to. They are an interesting and valuable mystery to discover, and I define them as a mystery because they do not usually share their ideas or thoughts with anyone, since they border on the introverted and reserved side, or in some cases even shy. They may have a great interest and knack for some branch of art, especially that which includes communicating ideas or feelings, being very effective in doing so. Many of them may doubt their abilities and also their intelligence or ability. They may be very interested in obtaining all kinds of knowledge, especially about topics that people do not dare to investigate, spiritual topics or topics that make them know themselves better on a deeper level.
In these people lies the wound of not feeling heard by their close circle, of feeling that for others what they had to say was not important, which made them close down. Within them there is a mind full of amazing ideas, an outstanding creativity that allows them to find many solutions and see things from different perspectives. They tend to be frequently distracted by the tendency to want to do several things at the same time. Daydream tendency regarding doing things they want to do or what their ideal life would be like. They may prefer deep conversations over small talk. However, these people stand out for being amazing counselors, this is due to their empathy, which makes them not advise from the point of view of what they would do, but rather what they would do if they were and lived in the context of the person. who comes to them. They have the quality of making others feel heard and understood, making conversations with them feel comfortable and natural, even if it is the first time you speak to them.
They may have difficulty following very demanding schedules or routines, preferring to do things at their own pace. They are more likely to be easily distracted and change the subject quickly. Their mind is intuitive, their sixth sense is rarely wrong, as they are excellent when it comes to reading and understanding everything around them, having the ability to read between the lines and detect all kinds of discrepancies. They adapt very easily to their environment and it is extremely difficult to lie to them. If you're not part of their inner circle or if they don't trust you yet, you'll suddenly have that epiphany: they know so much about you while you seem to know little about what lies within them. They are people with multiple interests, a curious and creative mind that leads them to dream big. Great minds that can doubt their own potential, the value of their thoughts and words even when beauty and uniqueness can be found in them. People with compassion and an ability to understand things that perhaps others are not ready to understand. They have the feeling of not finding the right words to explain what is happening inside them. Their heart can often guide their minds. The human quality in them is something that makes them beautiful beings with whom to cross paths, always leaving teachings and words that remain marked in the core of those who know them.
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physalian ¡ 9 months ago
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What No One Tells You About Writing #4 (100 Follower Special!)
Have you got any that deserve to be on these lists? Don’t be shy! Send ‘em over.
Part 1
Part 2
Part 3
*This list contains mentions of assault, #4
1. Zero cursing is better than censored cursing
I made the mistake in the early days of writing a self-censoring character, and every “curse” she said just took the teeth out of the rest of the statement. I’m talking gosh, darn, dang, etc, not world-specific idioms a la “scruffy nerf herder” or “dunderhead” instead of “dumbass”.
Look to any American TV show that so, so badly wants to use f*ck or sh*t but has to appease the sensitive conservatives who still somehow believe strong language is worse than graphic violence and horrifying psychological damage. For shame! Your characters can be angry without expletives, so rework your sentences to include equally damning insults that don’t resort to potty mouths if you’re concerned about ratings.
Or go full-throttle into the idioms of the world or the time period like Pirates of the Caribbean. Or just… don’t. There’s zero modern cursing in the Lord of the Rings adaptation and not a single sentence that censors itself. The dialogue is above vulgarity and feels more *fantastical* that way anyway.
2. “Yeah, you aren’t the target audience.”
It’s kind of hilarious seeing the range of reader reactions to two characters I intend to have a romantic relationship. Some will go “I ship it!” after the first page of them together… and another will go “wait, I thought they were just friends” up until they kiss. Sometimes you might be too subtle, other times it might be better to just accept that you can’t rewrite your entire book to please one naysayer.
When I’m pitched a fantasy adventure book that turns out to be a by-the-numbers romance where no one is allowed to be a peasant and every important character is royalty in some way, with a way cooler fantasy backdrop, I get severely disappointed. That doesn’t mean the book is bad, it just means I’m not the target audience.
3. There is no greater character sin than making them boring
Unless you live in the wacky world we find ourselves in where any flaws whatsoever are apparently harmful depictions of so-and-so and not at all written with things like ~nuance~. I will gush over your heinous villain committing atrocities because he’s *interesting*. I will not remember Bland Love Interest who’s a generic everyman with zero compelling or intriguing traits or flaws.
There’s another tumblr post out there that I cannot find that says something like this, and I believe the post goes “his crimes are fiction, my annoyance is real”. Swap annoyance for boredom and you get what I mean. So, I don’t care what your character does so long as they’re memorable. I will either root for their victory or their doom, but I do need *something* to root for.
4. The line between “gratuitous” and “respectful” is actually very thick
Less what no one tells *you* about writing and more what no one tells screenwriters. Y’all do realize you can write a character who experiences assault without actually writing the assault, right? Fade to black, have them mention it in their backstory, or have the horrific aftermath as they come to terms with it. An abrupt cut to this devastated character when it’s all over and they’re alone with themselves can be incredibly poignant and powerful. This goes with anything sensitive, especially if it’s not coming from experience.
If you want to write it or film it respectfully, romanticizing assault, for instance, is when it’s framed as if either character has earned or “deserves” it. If the narrative in any way argues that it's justified. The victim might have "earned" it for any of the BS reasons we use in the real world, or the perpetrator might've "earned" it because of temptation, desire, pressure to assert dominance, etc. Representation is important, but are you “representing” to shed light on a misunderstood and maligned topic, or are you doing it to satisfy a fetish or bias in yourself?
5. Don’t let your eyes get bigger than your stomach
Fantasy has no limitations, which means you can dig way deeper into the well of your worldbuilding than you realize, until you look up and realize you’re stuck down there. I have never seen a more obvious inevitable disaster looming than the pilot of GoT season 5. Why? Nobody has any plans. They’re all just led around by whatever side quest the writers throw them on, twiddling their thumbs until the writers deign to pull the trigger on the White Walkers.
To the point that what should be a major character can skip an entire season because his arc is meaningless. Everything in the last half of that show was one big “eventually” while the story toiled around in an ever-expanding cast of characters and set pieces (seriously, it’s hilarious how jarring the extended version of the theme music became compared to the pilot episode to fit all these locations).
When you have too many directionless characters, too many plot elements, too many ideas you want to fully mature and get their due spotlight and then somehow combine them all together for a common foe in the end, writing can get tedious and frustrating very quickly. Why, I imagine, the book series remains unfinished. Fantasy is great for being able to create such complex worlds, but don’t be the snake that eats its own tail trying too hard.
6. No one cares about your agenda if you insult them to push it
This deserves its own post but here we go. Peddling an agenda is a paradox: those who agree with you won’t need to be preached to, and those who you want to persuade will instead reject you further because they feel belittle and disrespected. This is why so many recent “strong female characters” fail on both sides of the aisle. Feminists see an annoying caricature of the movement they’re passionate about. Antifeminists see an insufferable, shallow, liberal mouthpiece when they just want to be entertained. You have failed both sides, congrats.
The answer? Write a strong, nuanced, well-developed character. Then make them a woman. I know this has been said before but this BS keeps happening so clearly the screenwriters aren’t listening. Entertain me first. Entertain me so well I don’t even realize I’m learning.
7. Today’s audiences won’t react the same way as tomorrow’s
Sometimes genres or tropes get oversaturated and need a few years to cool off before audiences are receptive to them again—teen dystopia, anyone?—that doesn’t mean your story is inherently bad because it’s unpopular (nor does it mean it’s amazing because it is popular).
You should always write the book you want to read, not the book that chases trends. I can pick up a well-written teen dystopia I’ve never read before and enjoy it. I can continue to ignore Divergent because it has nothing to say. Write the book you want to read, but then accept that you might make no money because no one else wants to read it, not because they think it’s bad. And, who knows? You might get a boom of chatter months or years down the line when readers stumble upon an uncut gem.
8. Your characters don’t age with you
Depending on how long you’ve been working on your world and what age you were when you started, the characters, concepts, morals, and story you set out to tell might no longer reflect who you want to be as an author when all is said and done. Writing can take years, some of which can be incredibly turbulent and life changing. I wrote the first draft of my first original novel in my freshman year of college. Those characters and that draft are now unrecognizable and has left a world I’ve poured my heart and soul into in limbo.
I’ve slowly creeped up my characters’ ages. My writing has matured dramatically. The themes I wanted to explore in the height of the 2016 election are just demoralizing now. That book was my therapeutic outlet and, as consequence, my characters sometimes reflect some awful moods and mindsets that I was in when writing them. But nothing in that world grows without me tending to it. It’s not alive. Despite all the work I’ve done, there’s still more to be done, maybe even restarting the plot from the ground up. When I think of what no one told me about writing, staring at characters designed by someone I’m not anymore is the hardest reality to accept.
—
If you think I missed something, check out parts 1-3 or toss your own hat into the ring. Give me romance tropes. Mystery, thriller, historical fiction, bildungsromans, memoires, children’s books, whatever you want! Give me stuff you wish you’d known before editing, publishing, marketing, and more. 
Also, don’t forget to vote in the dialogue poll!
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tossawary ¡ 1 year ago
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A weirdly formative movie for me was "The Slipper and the Rose" (1976), which is a live-action movie adaptation of the Cinderella fairy tale set in some made-up European country. It is also a musical. I think it's fun and funny and sometimes quite sweet and I really like it as a comfort movie. It's kind of long and a little slow and old-fashioned and silly, and the ending is a little flat, but there are several songs that are just... about various logistical and humorous realities of being royalty... and I thought that was just fascinating as a young teenager who liked historical fantasy fiction.
(I excitedly tried to show it to a friend once and she was like, "WHAT am I watching?" She was bored during the dance sequences. It's quite different to the "(Rodgers and Hammerstein's) Cinderella" movie from 1997 starring Brandy. They're entirely different Cinderella musicals.)
The king and queen (and the dowager queen and the prince's cousin who will inherit if he doesn't marry) have a song sung to the prince called: "What Has Love Got To Do With Getting Married?"
The prince has a companion-at-arms (servant) named John and they have a really funny song together in the royal family's mausoleum, where the prince is like, "No matter what I do, I'm just going to end up buried next to these kings. Let me tell you all about how much they sucked as people." (It's called "What A Comforting Thing To Know" and it's probably my favorite song.)
The king and his ministers have a song all about the protocol for throwing a ball ("Protocoliogorically Correct"), because they don't want to offend anyone and accidentally start a war (again).
The prince's servant, John, is in love with Lady Caroline, who is the lady-in-waiting / companion to the dowager queen, but they can't get married because they're apparently too far apart in status. After the ball, when the prince is failing to find Cinderella, there's an entire song ("Position And Positioning") where John, the castle servants, and guards and civilians explain to the prince that there are ranks among servants and servants aren't as free to marry for love as the prince thinks they are. They even take the prince into the kitchens and are like, "Here are a bunch of other servants that you never see and barely knew existed, dude. They're going to do an extended dance number about this."
There are other musical numbers in this movie, including the romantic ("He/She Danced With Me") and heartbreaking ("Tell Him Anything") songs you would expect from a Cinderella story, but I mostly remember the humorous songs that actually engaged with the worldbuilding. I hadn't really seen a "fairy tale" movie do that before to that degree. (I'd seen books adapting fairy tales do it many times, but they don't have musical numbers.)
I think both "What A Comforting Thing To Know" and "Position And Positioning" are both worth watching by themselves, just for how unique they are among the many different Cinderella adaptations, and the movie clips are easy to find online. Go look them up if any of this sounds neat to you!
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raven-at-the-writing-desk ¡ 5 months ago
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I was reading through Leona's Playful Land card lines and a certain line jumped out to me. (btw I'm using mysteryshoptls translations!)
 "Fellow is a typical omnivore. He’ll wag his tail at both the carnivores and herbivores, just to swipe the tastiest morsels he can."
I don't think we've ever seen Leona refer to anyone as an omnivore outside of this moment. I know it's been established that he calls people herbivore's because he doesn't exactly respect them. It does make me wonder what the distinction is between an herbivore, omnivore, and carnivore to him.
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Interesting 🤔 “Herbivore” is general term Leona uses to refer to several other individuals or groups of people. Here is one example—note that "herbivore" is not capitalized, and is therefore a general noun, and the plural form is used, meaning it is not exclusive to Yuu:
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But yes, "herbivore" is not meant to be a cute silly ha-ha endearing nickname in spite of how commonly it seems to be utilized as one in the fandom; from how Leona implements it (often when he is annoyed at others for forcing his hand or in that languid, arrogant tone he usually takes), the phrase is derogatory and implies "herbivores" are weak and passive. And he, a carnivore, is above you in strength and in the literal food chain. In doing this, Leona is basically looking down on everyone.
It's fascinating to see that Leona refers to Fellow as an omnivore; the implied definition here also serves in the carnivore-herbivore dynamic we've become accustomed to up until this point. According to Leona's voice line, an omnivore is someone who caters and kisses up to both carnivores (the strong) and herbivores (the weak), switching it up when it best suits him and his needs. Fellow is an opportunist willing to do what it takes for his own survival. He's adaptable, someone whose strength lies in the middle—and that's what makes an omnivore. Whether Leona actually respects them more than an herbivore or not... That's yet to be determined since we've seen him use the phrase so little compared to herbivores.
I’m surprised we haven’t heard Leona use “omnivore” for Ruggie?? Because Ruggie too is someone who kisses up to whoever will best serve his needs (and Leona is aware of this, as he mentions Ruggie sticking with stronger people as a means of survival on book 6). Maybe it’s because Leona knows Ruggie on a personal level so he doesn’t even bother with anything but his actual name. He generally gives a “nickname” to people he doesn’t like, such as “lizard” for Malleus, “octopunk” for Azul, “radish sprout” for Idia, “Azul’s henchman” for Jade, etc. Personally, I'd also like to think that a part of Leona at least respects how Fellow makes up for his magical deficits with his quick-wittedness (y'know, putting aside all the objectively heinous shit Fellow was complacent to and participated in). Man's just making the best of a shitty hand of cards he was dealt, not much different from Leona's own circumstances or even Ruggie's. And hey, Fellow's aware of his own strengths and how to maximize them, something that Leona often stresses the importance of in vignettes, events, and the main story.
Those are my thoughts, at least! ^^
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dunmeshistash ¡ 7 months ago
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As of... actually several episodes ago but more so on this episode, I'm starting to think there's something (a reason/correlation?) to the anime not going all out on the animation (youd think ep23 part 1 would have gotten more attention) or when its not doing a 100% panel-for-panel adaptation of the manga (ie cutting out gags and some other parts)
Its almost like the anime is slightly just a little maybe advertising the manga? but idk, you dont really get this feeling if youve never read the manga. It only torments those who have who know what's in the manga that the anime-only's are missing out on. and there's also the dungeon tidbits that dont/havent been adapted that expand more on the story.
lets be real tho, some things in the manga just would not translate as effectively into anime. (ie the manga covers that look raw as all hell)
tl;dr i have a feeling the anime is not doing the manga 100% perfect justice because animation restraints AND it wants you to read the manga as well.
I've actually been thinking about that too. But objectively I think the dungeon meshi anime is effective/overall good adaptation of the manga.
The feeling of "NOO IT'S MISSING X THING" as far as I can tell is only for people who have read the manga, everyone else doesn't seem to feel there's a lack of quality. I call it the cursed knowledge of the manga lol.
The fact is that the manga is just PACKED full of so many details an adaptation that has ALL of it is just impossible, and trigger's anime isn't necessarily bad just because it doesn't have it <- I say begrudgingly cause I wish it had all
From what I can tell they have been pacing themselves within their budget/time constraints and focusing on what the medium of animation can serve the best to compliment the manga, which is action scenes, they seem to be focusing most of their efforts into giving us BREATHTAKING animations during the action and honest I LOVE IT.
I recommend @swampjawn's animation breakdowns if you wanna really appreciate it in a more technical aspect, its so good.
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But another thing I've been noticing is how much content Ryoko Kui does related to the anime? Like the merch, the blu-ray boxes the collabs. Is that something common at all? The manga author doing so much content related to the anime of their work?
Maybe it's an exception cause she finished publishing Dungeon Meshi before the anime came out but I hope that her gorgeous art inspires people to read it.
Anyway I'm not sure if trigger is on purpose doing "manga advertisement" but just where I believe they'll stop this season is probably gonna make a lot of people want to read so it's a win in my book.
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